Final Cut Pro Archives

Network Affiliates – Personal Injury Testimonial

May 25, 2011August 7, 2017

http://vimeo.com/23273160 agency | Network Affiliates editor | Matt Struck audio engineer | Kirk Clausen Testimonials are a great way to express the personal feelings of how a product or service has impacted an individual. The benefit of this particular series of testimonials was that they were going to be used on the internet, thus not being constricted to the 30 second requirement of a typical broadcast commercial. The footage was shot in HD on a green screen background. This, along with it being finished for the web, provided the advantage of resizing the footage at each cut and compositing the subject over a faux environment with changing depth of field. In turn, this provided the power editing effect of tight shots to really express the deep emotions of the testimonial and cutting wide shots to avoid jump cuts.

TUFF SHED – Photo Album

April 19, 2011August 7, 2017

After Effects, Final Cut Pro

Steven Lopez created this purely 3D project in Adobe After Effects, utilizing scanned photo album pages, and a 3D camera with page peel transitions to deliver a virtual photo album. The spot is built to be customized for seasonal TUFF SHED offers, additional copy and different client photos and video.

Avalon River Cruises

April 19, 2011August 7, 2017

After Effects, Final Cut Pro

Crosspoint editors Steven Lopez and Luke Bishop worked together to finish this piece utilizing Final Cut Pro and After Effects. Working with client provided stills and video, they worked to deliver a video that had a cohesive feel to match the Avalon brochure and branding. agency | Cactus edit + fx | Steven Lopez and Luke Bishop, Crosspoint

Wyoming Department of Health

January 14, 2011August 7, 2017

Baselight, color grading, DSLR, Final Cut Pro, Health, On-line, Smoking, video editing, Wyoming

Sukle Advertising & Design partnered with Futuristic Films to produce and shoot a series of spots pleading to the smokers of Wyoming. The spots were shot on Canon 5DMkII HDSLR and off-lined at Futuristic. The spots were then color-graded at Crosspoint by Senior Colorist, Eric Anolin, in Baselight. Final Cut Pro conform and online edit was done by Luke Bishop. Peep the HD Goodness below. agency | Sukle color | Eric Anolin, Crosspoint finish edit | Luke Bishop, Crosspoint

Rocky Mountain Health Plans

January 12, 2011August 7, 2017

Final Cut Pro, HDSLR

Luke Bishop edited a recent Rocky Mountain Health Plans TV campaign for CCT Advertising. The commercials were shot in 2 days in several Colorado locations, including Idaho Springs, Empire and Silver Plume. Theresa Wingert of Planet Dog Media shot Canon 5DMkII and 7D HDSLR. client | Rocky Mountain Health Plans agency | CCT Advertising production | Planet Dog Media fcp edit | Luke Bishop, Crosspoint additional post | cinelicious, Rocky Mountain Recorders

Westfield Company introduces 1800 Larimer

July 15, 2010August 7, 2017

3D, After Effects, Animation, Baselight, Cinema 4D, Final Cut Pro, HD, motion graphics, Sony EX3, Sony F900, sound mixing, sound sweetening, video editing

Crosspoint and blue onion provided beginning-to-end production and post for Westfield Company’s opening of 1800 Larimer, the newest addition to the Downtown Denver skyline. A technologically-advanced office tower, 1800 Larimer is LEED Platinum certified and represents the future of urban office space. The project was truly all hands on-deck: Scott Tuke shot interiors, interviews, exteriors and using Sony HDCam F900; and Luke Bishop and Mike Heinrich contributed 2nd unit photography on Sony EX3. Matt Struck edited 5 video pods on Final Cut Pro and Adobe Affter Effects, for presentation on multimedia kiosk and web. Donald Corsiglia created 3D and motion graphics effects in Cinema 4D. Steven Lopez added additional 3D work with Google Earth Pro and SketchUp. Eric Anolin applied final color grades in Baselight.

Celestial Seasonings’ Kombucha

May 20, 2010August 7, 2017

After Effects, Animation, Final Cut Pro, HD, motion graphics

This is an editor’s cut of a video that I made for Celestial Seasonings to introduce their new Kombucha tea drinks. The project was produced by Doug Millington. Digital Dave created the animating mandalas, and Tim Turner created the 3D bottles. Music by Orbital.

Boston Market – Lunch for Lunch

February 11, 2010August 7, 2017

After Effects, AVID DS, Baselight, color grading, Filmlight, Final Cut Pro, HD, Sony EX1

Cameron Christopher Thomas Advertising recently recruited Walk the Line Films and Crosspoint to execute two new Boston Market spots. Walk the Line Films’ Director of Photography, Roger Sackett, shot all food footage on a Sony EX1 using a lens adapter to accommodate the use of film primes. The results are stunning and look remarkably close to film, at a fraction of the cost. From there, Crosspoint editor, Luke Bishop, integrated the Sony XDCAM with a graphical treatment created in Adobe After Effects and assembled the piece in Apple’s Final Cut Pro. The spots were then sent to colorist, Eric Anolin, to be graded in Filmlight’s Baselight ONE. The digital files effortlessly transferred between the two suites using XML and were conformed in Baselight for finishing in AVID DS. Donald Cosiglia added all the finishing touches, including 3D, to finish the spot. client | Boston Market agency | CCT Advertising production co | Walk the Line Films edit, graphics| Luke Bishop, Crosspoint color | Eric Anolin, Crosspoint finish edit, graphics | Donald Corsiglia, Crosspoint sound | Rocky Mountain Recorders

Flatiron

January 6, 2010August 7, 2017

Final Cut Pro, Sony EX3

production | Luke Bishop, Shawn Roberts and Chris Walsh, Crosspoint
edit | Luke Bishop, Crosspoint
sound | Chris Walsh, Crosspoint

Globus COSMOS

October 1, 2009August 7, 2017

Baselight, color grading, Final Cut Pro, HD, Sony EX3

Luke Bishop shot at Crosspoint on our Sony EX3 camera. He edited the footage and designed the stop-motion effect in Final Cut Pro. Eric Anolin graded the final sequence in Baselight and rendered a new .mov to FCP. Chris Walsh found the music, recorded the VO and worked the final mix. The final spot was delivered on Digital Beta.