Awesome Vintage Legal Ad of the Week “A Bike”
(…may or may not be updated weekly)
This week’s selection takes us back to the far off time of 1986. A time when it was appropriate for spokespeople to dress like MJ’s “Thriller.”… Only minus the Tiger cub. This bad to the bone spokesman discusses the dangers of riding a rad bike and the potential results [...]
Colorado Lottery – Operation
Colorado Lottery – Operation from Crosspoint on Vimeo.
Cactus enlisted LAIKA/house director Mark Gustafson to create flawless stop-motion animation for the newest Colorado Lottery Monopoly Scratch game. Eric Anolin color graded uncompressed 10-bit quicktime files in Baselight, and delivered HDCam and Digital Beta masters for final audio sweetening at Rocky Mountain Recorders.
Send an email to [...]
Awesome Vintage Legal Ad of the Week “Mailbox”
(…may or may not be updated weekly)
In the 1980s, Crosspoint was founded by legendary Denver attorney, Norton Frickey. He pioneered legal and medical broadcast advertising, building a successful agency and post-production facility along the way. Over the years, we’ve produced thousands of spots for lawyers and doctors. Some of it good, some [...]
Westfield Company introduces 1800 Larimer
Crosspoint and blue onion provided beginning-to-end production and post for Westfield Company’s opening of 1800 Larimer, the newest addition to the Downtown Denver skyline. A technologically-advanced office tower, 1800 Larimer is LEED Platinum certified and represents the future of urban office space.
The project was truly all hands on-deck: Scott Tuke shot interiors, interviews, [...]
Celestial Seasonings’ Kombucha
This is an editor’s cut of a video that I made for Celestial Seasonings to introduce their new Kombucha tea drinks. The project was produced by Doug Millington. Digital Dave created the animating mandalas, and Tim Turner created the 3D bottles. Music by Orbital.
Posted by Matt Struck
anythink: A Revolution of Rangeview Libraries
Objectives:
This is one of two documentaries created by Ricochet Ideas and Crosspoint to unveil and explain a revolutionary new concept in libraries. We also created 3-minute webisodes to give focus to more specific library topics. The shows have been broadcast at four new library opening events and are the key presentation at the 2010 [...]
Victory “Fuel it”
(video)
Integer Group chose Post Modern, Coupe Studios and Crosspoint for the latest commercial for Victory Motorcycles. The footage was shot entirely on RED ONE at 4K. Jason Sedmak (Post Modern) cut on Avid Media Composer (using Metafuze to transcode the .r3d files to .mxf). Eric Anolin conformed the 4K .r3d files + [...]
Crosspoint Hires Sr. Audio Engineer
With a recent upswing in business, Denver’s premier post production house announces the arrival of Sr. Audio Engineer Kirk Clausen.
Kirk’s extensive understanding of music theory has lent itself to his ever-growing success. His sound design experience spans from studio to stage and encompasses live music and theatrical productions. Kirk comes to Crosspoint with an established [...]
Make a thank you movie
This is a great representation of appropriate messaging and media mixed together.
Send an email to Corey Hayes, author of this post, at CoreyH@crosspoint.com
Boston Market – Lunch for Lunch
Cameron Christopher Thomas Advertising recently recruited Walk the Line Films and Crosspoint to execute two new Boston Market spots. Walk the Line Films’ Director of Photography, Roger Sackett, shot all food footage on a Sony EX1 using a lens adapter to accommodate the use of film primes. The results are stunning and look remarkably close [...]
Oscar Nominated Short Film “Logorama”
Just watched the short film “Logorama” during a render and was blown away by the animation and creativity. What I am really impressed with is the pre-production and set design that went into it! To gather the thousands, maybe even millions 2,500 Logos used to create the world must have been a painstaking task. The [...]
Focus on the Family Tebow
Focus on the Family partnered with Tim Tebow and his family to produce the organization’s first Super Bowl commercial. Steve Vidano shot on a RED camera; and he and Paul Murphy edited on Final Cut Pro. Crosspoint’s Baselight color grading system gave them the power to conform the Final Cut timeline from the raw [...]
We’re taking over this space
It’s time for the horses to pull the cart.
The dog needs to start wagging its tail.
The lunatics are going to run this asylum.
(…wait, is that last one supposed to be a bad thing?)
Flatiron
production | Luke Bishop, Shawn Roberts and Chris Walsh, Crosspoint
edit | Luke Bishop, Crosspoint
sound | Chris Walsh, Crosspoint
Lotus Headlines Fillmore Auditorium
With the 3 camera packages owned by Crosspoint, I had a boatload of options for shooting Lotus’ first show headlining Denver’s The Fillmore Auditorium. Per the band’s request, I acted as a roaming camera and documented the performance. The energy in the building was intense and the band blew the doors off, making the footy [...]
Globus COSMOS
Luke Bishop shot at Crosspoint on our Sony EX3 camera. He edited the footage and designed the stop-motion effect in Final Cut Pro. Eric Anolin graded the final sequence in Baselight and rendered a new .mov to FCP. Chris Walsh found the music, recorded the VO and worked the final mix. The final spot was delivered on Digital Beta.
Powerball Break the Chain
This project was a start-to-finish collaboration with the creative teams at Cactus, The Sweet Shop and Ring of Fire. Eric Anolin was on location for the one day shoot (3K RED). Matt Struck cut a :30 and :60 in Avid MC Adrenaline. Eric delivered color-graded HD .dpx files from Baselight for vfx at Ring of Fire. Donald Corsiglia finished graphics and final conform with vfx in Avid DS.
Crosspoint in The Denver Business Journal
Everyone here at Crosspoint would like to take a quick second to thank you for your business …
Network Affiliates
Steven Lopez created graphics, edited and finished sound all within Final Cut Pro.
Colorado Lottery Birth of a Ticket
Futuristic Films shot on 35mm film, transferred to HDCam SR at Lightpress. After the first day of rough cut, the creative process was at a standstill. Matt Struck set aside the storyboards and presented a completely different cut, that eventually became the final version with agency, production company and client input. It’s always good to hear a round of applause coming from the AVID suite!
Crosspoint Announces the Addition of a Baselight ONE Colour Grading System
Crosspoint is announcing a complete HD workflow solution with the addition of a Sony HDCam SR deck and Filmlight’s Baselight ONE color grading system. Baselight completes a start-to-finish, non-linear, data-centric HD workflow at Crosspoint. The Baselight system allows you to grade SD, HD and 2K footage natively, and in real-time. The multi-node architecture developed by [...]
Crosspoint Announces the Arrival of a Sony HDCam SR Deck
Crosspoint’s wide spectrum of resources and capabilities just increased with the addition
of the HDCAM SR deck. Through 22 years of business, Crosspoint has been involved in
an evolution of technology and has seen impressive new strides made from within the
world of audio and video. “With this addition, we now have the capability to work with
uncompressed HD [...]
