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Futuristic Films shot on 35mm film, transferred to HDCam SR at Lightpress. After the first day of rough cut, the creative process was at a standstill. Matt Struck set aside the storyboards and presented a completely different cut, that eventually became the final version with agency, production company and client input. It’s always good to hear a round of applause coming from the AVID suite!

agency | Cactus
production co | Futuristic Films
film transfer | Jeff Tillotsen, Lightpress
edit | Matt Struck, Crosspoint
color | Eric Anolin, Crosspoint
finish and vfx | Donald Corsiglia, Crosspoint
sound | Rocky Mountain Recorders

Send an email to Eric Anolin, author of this post, and follow @anolin on twitter.

This entry was posted on Sunday, February 1st, 2009 at 2:40 am. It is filed under blog, work and tagged with AVID Adrenaline, AVID DS, Baselight, color grading, HD, HDCam SR. You can follow any responses to this entry through the RSS 2.0 feed.