Crosspoint » RED http://www.crosspoint.com Colorado Post + Production Wed, 07 Dec 2011 17:01:43 +0000 en hourly 1 http://wordpress.org/?v=3.2.1 Pinnacol Assurance – Hands http://www.crosspoint.com/work/pinnacol-assurance-hands/ http://www.crosspoint.com/work/pinnacol-assurance-hands/#comments Wed, 26 Jan 2011 17:45:53 +0000 LB http://www.crosspoint.com/?p=1400

When Karsh\Hagan was asked to make a new spot for Pinnacol Assurance, they reached out to the best talents in Denver to execute their vision. Karsh’s ode to working hands was shot by Futuristic Film’s Tony McNamara on RED, Crosspoint’s Donald Corsiglia completed both the off-line and on-line edits in AVID DS and CO3 in Santa Monica, CA completed the final color. Audio was finished at Rocky Mountain Recorders.

If I offended you somehow, please let me know. Lukeb@Crosspoint.com ]]> http://www.crosspoint.com/work/pinnacol-assurance-hands/feed/ 0 Victory “Fuel it” http://www.crosspoint.com/work/victory-fuel-it/ http://www.crosspoint.com/work/victory-fuel-it/#comments Thu, 25 Feb 2010 18:38:01 +0000 LB http://www.crosspoint.com/?p=934 (Video: Watch this video on the post page)

Integer Group chose Post Modern, Coupe Studios and Crosspoint for the latest commercial for Victory Motorcycles. The footage was shot entirely on RED ONE at 4K. Jason Sedmak (Post Modern) cut on Avid Media Composer (using Metafuze to transcode the .r3d files to .mxf). Eric Anolin conformed the 4K .r3d files + AVID .aaf in Baselight. Crosspoint delivered 12-bit, 4k .dpx files, and Sedmak finished the spot in Autodesk Smoke. Coupe Studios composed the original music.

edit/fx | Jason Sedmak, Post Modern
color | Eric Anolin, Crosspoint
original music | Coupe Studios

If I offended you somehow, please let me know. Lukeb@Crosspoint.com ]]> http://www.crosspoint.com/work/victory-fuel-it/feed/ 0 Focus on the Family Tebow http://www.crosspoint.com/work/focus-on-the-family-tebow/ http://www.crosspoint.com/work/focus-on-the-family-tebow/#comments Sun, 07 Feb 2010 22:11:43 +0000 Eric http://www.crosspoint.com/?p=703

Focus on the Family partnered with Tim Tebow and his family to produce the organization’s first Super Bowl commercial. Steve Vidano shot on a RED camera; and he and Paul Murphy edited on Final Cut Pro. Crosspoint’s Baselight color grading system gave them the power to conform the Final Cut timeline from the raw .r3d files and manipulate the images at full 3K resolution. The spots were delivered on HDCam SR for the CBS broadcast.

agency | Focus on the Family
production co | Vidano Films
edit | Paul Murphy and Steve Vidano
conform | Steven Lopez, Crosspoint
color | Eric Anolin, Crosspoint



Send an email to Eric Anolin, author of this post, and follow @anolin on twitter.]]> http://www.crosspoint.com/work/focus-on-the-family-tebow/feed/ 1 Powerball Break the Chain http://www.crosspoint.com/work/powerball-break-the-chain/ http://www.crosspoint.com/work/powerball-break-the-chain/#comments Thu, 01 Oct 2009 16:54:50 +0000 Eric http://www.crosspoint.com/wordpress/?p=218

This project was a start-to-finish collaboration with the creative teams at Cactus, The Sweet Shop and Ring of Fire. Eric Anolin was on location for the one day shoot (3K RED). Matt Struck cut a :30 and :60 in Avid MC Adrenaline. Eric delivered color-graded HD .dpx files from Baselight for vfx at Ring of Fire. Donald Corsiglia finished graphics and final conform with vfx in Avid DS.

client | Powerball
agency | Cactus
production co | The Sweet Shop, Peter+Martin
vfx | Ring of Fire
edit | Matt Struck, Crosspoint
color | Eric Anolin, Crosspoint
finish edit, graphics | Donald Corsiglia, Crosspoint
sound | Rocky Mountain Recorders



Send an email to Eric Anolin, author of this post, and follow @anolin on twitter.]]> http://www.crosspoint.com/work/powerball-break-the-chain/feed/ 4