Westfield Company introduces 1800 Larimer
Crosspoint and blue onion provided beginning-to-end production and post for Westfield Company’s opening of 1800 Larimer, the newest addition to the Downtown Denver skyline. A technologically-advanced office tower, 1800 Larimer is LEED Platinum certified and represents the future of urban office space.
The project was truly all hands on-deck: Scott Tuke shot interiors, interviews, [...]
Celestial Seasonings’ Kombucha
This is an editor’s cut of a video that I made for Celestial Seasonings to introduce their new Kombucha tea drinks. The project was produced by Doug Millington. Digital Dave created the animating mandalas, and Tim Turner created the 3D bottles. Music by Orbital.
Posted by Matt Struck
Boston Market – Lunch for Lunch
Cameron Christopher Thomas Advertising recently recruited Walk the Line Films and Crosspoint to execute two new Boston Market spots. Walk the Line Films’ Director of Photography, Roger Sackett, shot all food footage on a Sony EX1 using a lens adapter to accommodate the use of film primes. The results are stunning and look remarkably close [...]
Globus COSMOS
Luke Bishop shot at Crosspoint on our Sony EX3 camera. He edited the footage and designed the stop-motion effect in Final Cut Pro. Eric Anolin graded the final sequence in Baselight and rendered a new .mov to FCP. Chris Walsh found the music, recorded the VO and worked the final mix. The final spot was delivered on Digital Beta.
Powerball Break the Chain
This project was a start-to-finish collaboration with the creative teams at Cactus, The Sweet Shop and Ring of Fire. Eric Anolin was on location for the one day shoot (3K RED). Matt Struck cut a :30 and :60 in Avid MC Adrenaline. Eric delivered color-graded HD .dpx files from Baselight for vfx at Ring of Fire. Donald Corsiglia finished graphics and final conform with vfx in Avid DS.
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Steven Lopez created graphics, edited and finished sound all within Final Cut Pro.
Colorado Lottery Birth of a Ticket
Futuristic Films shot on 35mm film, transferred to HDCam SR at Lightpress. After the first day of rough cut, the creative process was at a standstill. Matt Struck set aside the storyboards and presented a completely different cut, that eventually became the final version with agency, production company and client input. It’s always good to hear a round of applause coming from the AVID suite!
Crosspoint Announces the Addition of a Baselight ONE Colour Grading System
Crosspoint is announcing a complete HD workflow solution with the addition of a Sony HDCam SR deck and Filmlight’s Baselight ONE color grading system. Baselight completes a start-to-finish, non-linear, data-centric HD workflow at Crosspoint. The Baselight system allows you to grade SD, HD and 2K footage natively, and in real-time. The multi-node architecture developed by [...]
Crosspoint Announces the Arrival of a Sony HDCam SR Deck
Crosspoint’s wide spectrum of resources and capabilities just increased with the addition
of the HDCAM SR deck. Through 22 years of business, Crosspoint has been involved in
an evolution of technology and has seen impressive new strides made from within the
world of audio and video. “With this addition, we now have the capability to work with
uncompressed HD [...]
Crosspoint Announces the Addition of blu-ray to its Facility
The Blu-ray technology that Crosspoint has gives editors the ability to author not only in the leading professional formats, but now, the highest quality consumer format. This is revolutionary to the Denver market because the final deliverable of this system can now be produced in the highest quality. With Crosspoint’s editing capability, you can now [...]
