Wyoming Department of Health
Sukle Advertising & Design partnered with Futuristic Films to produce and shoot a series of spots pleading to the smokers of Wyoming. The spots were shot on Canon 5DMkII HDSLR and off-lined at Futuristic. The spots were then color-graded at Crosspoint by Senior Colorist, Eric Anolin, in Baselight. Final Cut Pro conform and online edit [...]
Colorado Lottery – Operation
Colorado Lottery – Operation from Crosspoint on Vimeo.
Cactus enlisted LAIKA/house director Mark Gustafson to create flawless stop-motion animation for the newest Colorado Lottery Monopoly Scratch game. Eric Anolin color graded uncompressed 10-bit quicktime files in Baselight, and delivered HDCam and Digital Beta masters for final audio sweetening at Rocky Mountain Recorders.
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Victory “Fuel it”
(video)
Integer Group chose Post Modern, Coupe Studios and Crosspoint for the latest commercial for Victory Motorcycles. The footage was shot entirely on RED ONE at 4K. Jason Sedmak (Post Modern) cut on Avid Media Composer (using Metafuze to transcode the .r3d files to .mxf). Eric Anolin conformed the 4K .r3d files + [...]
Boston Market – Lunch for Lunch
Cameron Christopher Thomas Advertising recently recruited Walk the Line Films and Crosspoint to execute two new Boston Market spots. Walk the Line Films’ Director of Photography, Roger Sackett, shot all food footage on a Sony EX1 using a lens adapter to accommodate the use of film primes. The results are stunning and look remarkably close [...]
Globus COSMOS
Luke Bishop shot at Crosspoint on our Sony EX3 camera. He edited the footage and designed the stop-motion effect in Final Cut Pro. Eric Anolin graded the final sequence in Baselight and rendered a new .mov to FCP. Chris Walsh found the music, recorded the VO and worked the final mix. The final spot was delivered on Digital Beta.
Network Affiliates
Steven Lopez created graphics, edited and finished sound all within Final Cut Pro.
Colorado Lottery Birth of a Ticket
Futuristic Films shot on 35mm film, transferred to HDCam SR at Lightpress. After the first day of rough cut, the creative process was at a standstill. Matt Struck set aside the storyboards and presented a completely different cut, that eventually became the final version with agency, production company and client input. It’s always good to hear a round of applause coming from the AVID suite!
Crosspoint Announces the Addition of a Baselight ONE Colour Grading System
Crosspoint is announcing a complete HD workflow solution with the addition of a Sony HDCam SR deck and Filmlight’s Baselight ONE color grading system. Baselight completes a start-to-finish, non-linear, data-centric HD workflow at Crosspoint. The Baselight system allows you to grade SD, HD and 2K footage natively, and in real-time. The multi-node architecture developed by [...]
