Crosspoint » AVID DS

K\H – Pinnacle Bank 2010

Eric — Wed, 09 Mar 2011 16:39:33 +0000

In 2010, Karsh\Hagan tapped the talents of director Tony McNamara of Futuristic Films, and the team at Crosspoint to deliver another beautiful broadcast campaign for Pinnacle Bank. Tony shot Super 35mm, and the negative was transferred with a flat-pass look to HDCam. Tom Welborn edited in AVID Media Composer and Eric Anolin worked the Baselight color grade. Donald Corsiglia conformed, composited and finished in AVID DS. Original music composition by K\H’s own Matt Nasi.

Send an email to Eric Anolin, author of this post, and follow @anolin on twitter.

Pinnacol Assurance – Hands

LB — Wed, 26 Jan 2011 17:45:53 +0000

When Karsh\Hagan was asked to make a new spot for Pinnacol Assurance, they reached out to the best talents in Denver to execute their vision. Karsh’s ode to working hands was shot by Futuristic Film’s Tony McNamara on RED, Crosspoint’s Donald Corsiglia completed both the off-line and on-line edits in AVID DS and CO3 in Santa Monica, CA completed the final color. Audio was finished at Rocky Mountain Recorders.

If I offended you somehow, please let me know. Lukeb@Crosspoint.com

anythink: A Revolution of Rangeview Libraries

Corey — Tue, 02 Mar 2010 21:41:50 +0000

Objectives:

This is one of two documentaries created by Ricochet Ideas and Crosspoint to unveil and explain a revolutionary new concept in libraries. We also created 3-minute webisodes to give focus to more specific library topics. The shows have been broadcast at four new library opening events and are the key presentation at the 2010 National Public Libraries Association show. The shorts have been released virally on YouTube and to library-specific sites.

The majority of all filming was during live events and could not interfere with the proceedings. This required a small, highly organized crew that could maintain a tight schedule, organize VIP interviews, and shoot B-roll surroundings within just two days.

Measures of Success:

More than 1,300 hits on YouTube in the first three months.

Target Audience:

Library directors nationwide, community leaders, and consumers.

Specific Roles on project:

John Bellina, Ricochet Ideas - Writer/Director
Tasso Stathopulos, Ricochet Ideas - Art Director
Joan Laflamme – Proofing
Corey Hayes, Crosspoint – Producer/Director
Luke Bishop, Crosspoint – DP/Grip Sound
Chris Walsh, Crosspoint – Sound Design Audio Engineer
John Riccardo, Crosspoint – Editor
Nate Rich, Crosspoint – Graphics
Jeff Chiba Stearns – Animation

Send an email to Corey Hayes, author of this post, at CoreyH@crosspoint.com

Boston Market – Lunch for Lunch

LB — Thu, 11 Feb 2010 20:04:34 +0000

Cameron Christopher Thomas Advertising recently recruited Walk the Line Films and Crosspoint to execute two new Boston Market spots. Walk the Line Films’ Director of Photography, Roger Sackett, shot all food footage on a Sony EX1 using a lens adapter to accommodate the use of film primes. The results are stunning and look remarkably close to film, at a fraction of the cost.

From there, Crosspoint editor, Luke Bishop, integrated the Sony XDCAM with a graphical treatment created in Adobe After Effects and assembled the piece in Apple’s Final Cut Pro. The spots were then sent to colorist, Eric Anolin, to be graded in Filmlight’s Baselight ONE. The digital files effortlessly transferred between the two suites using XML and were conformed in Baselight for finishing in AVID DS. Donald Cosiglia added all the finishing touches, including 3D, to finish the spot.

If I offended you somehow, please let me know. Lukeb@Crosspoint.com

Powerball Break the Chain

Eric — Thu, 01 Oct 2009 16:54:50 +0000

This project was a start-to-finish collaboration with the creative teams at Cactus, The Sweet Shop and Ring of Fire. Eric Anolin was on location for the one day shoot (3K RED). Matt Struck cut a :30 and :60 in Avid MC Adrenaline. Eric delivered color-graded HD .dpx files from Baselight for vfx at Ring of Fire. Donald Corsiglia finished graphics and final conform with vfx in Avid DS.

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Colorado Lottery Birth of a Ticket

Eric — Sun, 01 Feb 2009 09:40:24 +0000

Futuristic Films shot on 35mm film, transferred to HDCam SR at Lightpress. After the first day of rough cut, the creative process was at a standstill. Matt Struck set aside the storyboards and presented a completely different cut, that eventually became the final version with agency, production company and client input. It’s always good to hear a round of applause coming from the AVID suite!

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Polaris Ride On

Eric — Wed, 07 Jan 2009 10:15:37 +0000

agency | Integer Group
edit and graphics | Donald Corsiglia
color | Eric Anolin

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Polaris World of Fun

Eric — Mon, 20 Oct 2008 09:59:23 +0000

agency | Integer Group
edit and fx | Donald Corsiglia, Crosspoint

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FIMCO

Eric — Thu, 15 Nov 2007 22:47:14 +0000

blue onion worked with Matt Struck and Christian Wearly to create this image piece for Frickey Investment Management Company.

edit | Matt Struck
edit, graphics, color, sound | Christian Wearly, Crosspoint

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Victory Drive-In

Eric — Tue, 20 Feb 2007 10:13:40 +0000

agency | Integer Group
edit | Matt Struck
finish and compositing | Bob Maple and Donald Corsiglia

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